Tag Archives: kickstarter

DCIFF Filmmaker Series: Ron Judkins

Leading up to this year’s festival, we will be highlighting the fascinating stories behind our 2014 filmmakers and their submissions.

For director Ron Judkins, the phrase “it takes a village” could not have been truer than during the production of his feature film Finding Neighbors. Ron’s village consisted of those near and far with the help of 313 different backers on Kickstarter and his local neighborhood of Atwater Village in Los Angeles.

“Our original goal was to hit 200 Kickstarter backers, assuming family, friends and crew members would contribute. Then it started expanding and we began gaining support from people we didn’t even know,” Ron explained. “One of our largest backers was a complete stranger; Sam’s story really spoke to him.” Finding Neighbors follows a stay-at-home graphic novelist, Sam Tucker, battling a mid-life crisis and forming new relationships with his next-door neighbors, while trying to preserve his marriage.

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Ron also felt a personal connection to his main character. After winning two Academy Awards® for Best Sound (Jurassic Park, Saving Private Ryan), Judkins brought his first directorial film The Hi-Line to Sundance in 1999 and gained a distribution deal with Showtime. He hoped his success would parlay into some larger films but instead, they were continually delayed in development.

Ron decided to take matters into his own hands. He approached his longtime Atwater Village neighbor, Judy Korin, with a finished screenplay and she immediately agreed to join the project as a producer along with his wife, Jennifer Young. Judy wasn’t the only one in Atwater Village to embrace Finding Neighbors. “When obtaining film permits to shoot the film, we would go door-to-door and apologetically explain we were shooting Finding Neighbors throughout Atwater. We expected people to be upset but were surprised at the moral support and offers of help from the neighborhood,” Judy said during a phone interview.

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One such example was makeup artist Kelcey Fry, whose work appears in The Artist and The Pirates of the Caribbean films. Kelcey volunteered her time to mentor Finding Neighbors’ makeup artists, both of whom were just getting started in their careers. Another neighbor had a sound studio in his backyard and helped saved post-production costs by letting the crew do some of their ADR work there. Says Judkins, “This film would not have been possible without the generosity of our Atwater Village neighbors.”

Finding Neighbors will be making its East Coast première at DCIFF on Sunday, February 23rd at 5pm. Be sure to check out the Finding Neighbors website for great behind the scenes clips including a look into how animation was integrated into the film, as well as a listen in on the soundtrack. You can also sign up for Ron’s production sound masterclass at DCIFF, starting at 2pm on Sunday.

DCIFF Filmmaker Series: Reid Davenport

Leading up to this year’s festival, we will be highlighting the fascinating stories behind our 2014 filmmakers and their submissions.

Studying abroad as a college student seems like a rite of passage these days. Most institutions highly encourage their students by offering a variety of programs, countries to visit and even scholarships. Picturesque images of strolling through a palazzo eating gelato or climbing the acropolis come to mind when envisioning a European abroad program. Unfortunately, when the ancient cultures built some of the greatest cities around the world, they didn’t exactly keep in mind the needs of the people with disabilities. Or so Reid Davenport found out.

Reid has cerebral palsy and though he is ambulatory, he prefers using a wheelchair to keep from losing energy. In a Washington Post op-ed last year, Reid said throughout his undergraduate years at George Washington University, “I’d planned on visiting Italy, my grandmother’s homeland.” He settled on Florence but once admitted, ran into some major roadblocks.

Reid looks out over the city of Paris from the top of the Eiffel Tower

Reid looks out over Paris from the top of the Eiffel Tower

Program administrators discouraged Reid from bringing his electric wheelchair due to housing constraints near the campus and the city’s notorious cobbled sidewalks with few curb cuts for access points. Discouraged, Reid abandoned his study abroad dreams but months later, the travel bug was still biting. He knew his woes must be felt by others in the disabled community and set out to document this experience.

Due to lack of curb cuts, Reid would sometimes need to ride along side traffic in the street.

Due to lack of curb cuts, Reid would sometimes need to ride along side traffic in the street.

In April 2011, Reid received a $5,000 fellowship and along with cameraman Mark Abramson, raised an additional $8,000 through Kickstarter to explore accessibility in the Old World. Five cities and 13 interviews later, Reid recounted his experiences in the documentary Wheelchair Diaries: One Step Up. The film premiered last July at the Awareness Festival in Los Angeles, winning Best Documentary Short and helped launched Reid as a motivational speaker.

At DCIFF, we’re excited to be featuring Reid’s incredible story during our “Docs and Shorts at Night” session on Friday, February 21st. Come join us for a screening of Wheelchair Diaries along with three other short films from 7:30 to 9:30pm at the Naval Memorial Heritage Center President’s Room.

The Phantom Tollbooth and Kickstarter Success Tips

In 1998, James Rosenberg launched Adopt-A-Classroom, the world’s first online crowdsourcing site, allowing community members to donate money directly to teachers for classroom supplies. The concept has come a long way; in 2012, there were over 450 crowdfunding platforms. Kickstarter, one of the most popular platforms, has steadily grown as a source for filmmakers over the past several years. More than $100 million has been pledged to over 8,500 independent films as of January 2013.

Our own DCIFF team member Hannah Jayanti recently premiered her own documentary, The Phantom Tollbooth: Beyond Expectations, at The New Yorker Festival after successfully funding through Kickstarter. I sat down with her to discuss her experience and what filmmakers should know when working with the platform.

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DCIFF: Congratulations on the New Yorker Festival! I’d love to hear more about the film’s background and what attracted you to this project.

Hannah: I was first hired to film a short video to promote the 50th anniversary of The Phantom Tollbooth’s publication. I immediately fell in love with both the author, Norton Juster, and the illustrator Jules Feiffer. I knew there was a longer story to be told. Since we were self-funded during the first year and I worked full-time, we shot on the weekends and edited late at night. Kickstarter seemed like a natural progression to help make the film a top priority.

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Norton and Jules outside where they wrote The Phantom Tollbooth

D: What made you choose Kickstarter?

H: We were lucky to have an incredible audience built in to our project. In the film, David Hyde Pierce says, “You’ve either never heard of [The Phantom Tollbooth] or think it’s a biblical text.” Most films go through a commissioner or producer to determine its marketability. Our audience enabled us to bypass this process and go straight to crowdfunding. It’s also fitting that we funded Tollbooth through Kickstarter because the novel itself focuses on progressive education and the importance of innovation.

D: What were the positives and negatives you experienced working with the platform?

H: Like most crowdfunding sites, Kickstarter projects are not funded by a few large donors but by many smaller contributors. You also achieve direct interaction with your audience. The constant contact your audience craves can translate to a lot of leg work but the payoff is rewarding. The personal relationships we gained have made this film completely worthwhile.

D: Was social media a large part of your funding strategy?

H: When we first launched Tollbooth, I was tweeting individually. Once the project gained traction, our social media took off. I had to learn very quickly how to effectively run an online campaign. Most days I felt like two different people, spending half my day editing and the other half communicating with our social media audience. I had never managed an intensive campaign before but, on a small production like ours, you needed to understand social media, finance, marketing, and the creative aspects. That was one of the biggest challenges. If I had one piece of advice to our readers, I would say learn to wear many different hats.

D: Any other last words of wisdom?

H: If you would like to learn more about the crowd-funding process, check out Indie Game: The Movie’s case study. They have great insight on their indie film experience with funding, filming and self-distribution.

The Phantom Tollbooth: Beyond Expectations is available online for digital download now or pre-order a DVD for November 20th.

Up DC film “The Whittaker Chambers Story” at indieWIRE – vote ’til Monday

Getting out DC votes for local film project “The Whittaker Chambers Story” 

Stana Benesova at DCIFF Jan 6, 2012

A DC-based production is competing for indieWIRE’s Project of the Week.
Please cast your vote until Monday 11 AM EST for “The Whittaker
Chambers Story” and support local filmmakers! Thank you!

http://apps.facebook.com/my-polls/pomzh4m

To learn more about the project and contribute to their kickstarter
campaign, go to www.whittakerchambersfilm.com.